Crows Nest

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keeskeren:

Jellyfish-babies.

keeskeren:

Jellyfish-babies.

paleocat:

you lookin for a fight little man

paleocat:

you lookin for a fight little man

paleocat:

botan puts up with a lot

and kuwabara does not take the get along shirt seriously

Hey, can you reccomend any artists who draw yu yu hakusho? Thanks!

Anonymous

destielpasta:

Omg look it’s two female characters with a purpose and emotions and BONUS they also mirror the lead two boys perfectly… I know what we should do. Let’s kill ‘em.

(Source: letmesayiloveyou)

halfmyotpisdead:

andthenewt:

melthedestroyer:

there’s a big difference between “i’m sad because a character i was emotionally invested in was killed off” and “this character’s death served no purpose, was used for shock value, and is the product of bad writing and i’m upset about that”

image

SPNFanimation.tumblr.com won’t kill off Kevin~

So Benedict says he wants to do Sherlock for another 15 years?

mysharona1987:

Wow! That’s like, 6 new episodes to look forward to.

himchanspenus:

Here’s a serious advice. Even the nicest people have their limits. Don’t try to reach that point because the nicest people are also the scariest assholes when they’ve had enough.

(Source: vyonce)

shadowstep-of-bast:

edgebug:

I think that a lot of the reason Jarvis has become so human is because Tony treats him like he’s human. Tony talks to Jarvis in a very colloquial way. He says “you up?” when he knows damn well that Jarvis is operational. He says “throw a little hot-rod red in there” instead of “paint components x, y, and z with red paint #20.” Tony treats all his machinery like that—Dummy and You, especially—and Jarvis is no exception.

Jarvis has become much more human since Iron Man 1. He actually displayed emotions in Iron Man 3—specifically when he feared for Tony’s life, his voice sounded terribly frightened, and in instances like the second gif where he said “I need to sleep” and not “My battery is depleted.” Jarvis has grown and changed, as any self-aware creature does. He has become human because he is treated as such.

(Source: morstahns)

modmad:

f in all y I didn’t think I’d manage to finish this chunk ever but hopefully I can get the next bit done sooner because cliffhanger

one of the fun things I’d like to play around with in the feature is that they transition between film genres via reflective surfaces; puddles, mirrors, even sword blades in this case (also yes sorry for very bad bg’s but I’m on a tight schedule here whoops what a bad excuse)

I confess these aren’t really proper storyboards, more a sort of ugly mash of beatboards and storyboards, but hey it’s mostly for larks so what the hey \o/

previous SKIP boards explaining why Arthur is sopping wet over here